
LINDISFARNE’S GREAT PRODUCTION OF COONEY CLASSIC
Lindisfarne Players are excelling themselves at the Palace Theatre’s Dixon Studio this week until Saturday, March 27 with a really almost flawless production of the great Ray Cooney classic farce Run for Your Wife. Ray Cooney, who has close associations with Southend, living for a long time in the area and running the Palace Theatre for more than a year as the base for his touring company. Run for Your wife from the 1980s is considered by many including this reviewer his finest farce in the long series he wrote for the Whitehall Theatre company.
Steve McCartney, the director of Run for Your Wife, takes Lindisfarne to new heights with the quality of his production and is to be congratulated for getting performances of such a high standard from his whole cast and getting a superb pace to the whole production as the story of how taxi driver John Smith negotiates successfully his double life with two wives living in similar flats with his first, Mary in Wimbledon and his second, Barbara, in Streatham…
The whole thing takes place in a single set with half of the stage devoted to one flat and the second half to the other with doors used exclusively for each flat but the rest of the stage in common use but exclusive phones for each flat which produce many of the misunderstandings. It is with the phones that I have my only doubts about the production for it originally was set in the 1980s before mobile phones and this production has been updated to the present day and it is hard to believe that the taxi driver and the police would not have their own mobiles in these days. But that quibble apart the characters are played in a beautifully contrasted way.
All goes well with John’s complicated life until he is involved in an accident and seemingly disappears with both wives phoning their respective local police stations to report him missing. When he does reappear with bandaged head a detective sergeant from Wimbledon brings him home to Mary with accounts of his heroism in tackling muggers but with a mystery about the two addresses he appears to have. From then on the fun waxes fast and furious with lodger Stanley from the top flat at Wimbledon trying to help John out and being let into the secrets of John’s secret bigamous goings on.
Nathan Spencer makes a superb very ordinary Smith, who has got himself into an extraordinary situation while Robert Stow gives another fine performance as the extrovert layabout lodger Stanley. Kim Tobin is wonderfully believable as Mary, who really does not know quite what has hit her.
As the plot thickens and more and more lies are told the pace gets hotter with Toni Taylor making a nice contrast as sexy Barbara, who has Ian Morton as a very gay Bobby from her upper flat getting involved in the action and Trevor Corner as home loving Detective Sergeant Porterhouse from Streatham trying to help out with what he sees as a domestic issue. Rory Joscelyne is excellent as tough Detective Sergeant Troughton from Wimbledon who tries to lay down the firm hand of the law but in the end jumps to very much the wrong conclusions.
Rarely have I seen such a fine set of performances in modern farce from an amateur group for all the characters literally live their roles and the rich vein of laughter is fully exploited in the play which runs for just under two hours but literally has a laugh and more a minute. Well done Lindisfarne Players and may you get the full houses in the Dixon you deserve for the rest of the week
JOHN GILES